Mary Joan cultivated her passion for oils from an early age, expanding her studies across the United States, Europe, and the Far East. Transitioning from her role as a Professor of Fine Arts and Humanities at FSCJ, she earned her PhD in 2005, subsequently dedicating herself to teaching and exhibiting across the eastern United States. In 2020, M.J. redirected her focus to exclusive artistic pursui
Cosmic Sychronicity
Black and White occur simultaneously and seem significantly related but have no actual causal connection. The difference is reflective of the amount of light that can exist in nature and has the highest contrast ratio of 21 to 1. Using them in a positive and negative oppositional relationship creates an explosive composition representing contradictory forces of two extremes. With the organic movement from the earth’s gifts, black and white create an unending and unforgiving juxtaposition of forces that undulate in and out of reality. Are they shapes of the blowing wind or incoming tides? Are they fantasies of our dreams or blooming imagination? This is Western dualism. This is Cosmic Synchronicity.
Venus - 24" x 24" - Acrylic on PVC Board
IMPASSIONED EMOTIONS
Our inner landscape is carpeted with emotions giving understanding and complexion to our daily existence. Science remains unsure of what emotions are, believing that they may be momentary, unconscious reactions to environmental stimuli. In short, they could be an innate survival tactic universally providing positive or negative clues influencing decision-making. Ecstasy, surprise, and admiration positively denotes psychological aggrandizement; however, grief, sadness, and disgust negatively affect us creating an uneasiness and perhaps a warning. Emotions are an evolutionary stratagem that promotes survival chances. Impassioned Emotions bring color and movement to our positive and negative feelings allowing the viewer the freedom to have their own emotional response to each piece.
Admiration - oil and mixed media on canvas - 40" x 60"
Earth Power reflects a world that exists deeply in my cognitive awareness. Observation of nature provides me with organic interaction of color, shape, and form. It is the momentary effects of light, air, and water movement that I use to develop my compositions. Without a preconceived notion of color or design, I allow natural rhythms to take over. Strokes and hues become defined as deconstruction turns into form. Contemplation gives birth to concrete images and unification of chaos is the matter of course. Formalist attitudes give way to images of our ever-changing environment through visions reflecting its ebbs and flows.
Marine Undulation - oil and mixed media on canvas - 48" x 77" Available in Europe
Aqua Tide - oil and mixed media on canvas - 48" x 77"
October 2024, Los Angeles, California
September 2024, Stuart, Florida
July 2024, Ormond Beach, Florida
June/July 2024, Milan, Italy
April 2024- present, Dennis + Ives, Jacksonville, Florida
April 2024, Port St. Joe, Florida
April, 2024, Berlin, Germany
March 2024, Coral Springs Museum of Art, Florida
March 2024, New York, New York
February 2024, Berlin, Germany
January 2024 - present, Aistersheim, Austria
November 2023 - present, Munich, Germany
September - November, 2023, Elements Exhibition, Biafarin, Canada
October 2023, Carrousel du Louvre, Paris, France
September 2023, The Sorbonne, Paris, France
January 2024: WINNER: International Prize Botticelli, Florence, Italy
January - February, 2022, The South Gallery, Jacksonville, Florida
November, 2021, Artbox Project, Switzerland
October - December 2021, The Haskell Gallery, Jacksonville, Florida
WINNER 2023: TALENT AWARD Teravarna Art Gallery International Abstraction Exhibition
"With the disastrous exit of England from the European Union, Paris is increasingly establishing itself as the true capital of art, as it should have always been. A city that frames art like no other and has a population highly devoted to fine art."
"We had our vernissage last Friday, September 1st, 2023, at the charming Sorbonne Space, with a large audience in attendance."
"The following day, we could confirm what was already known to us: the high volume of visitors to the exhibition, as well as the passing public, which not only had a significant presence but also had a strong appreciation for art. Great new clients and contacts are emerging from there."
"People in Paris LOVED it!"
- Robert Parcus
"This work changed my life."
"These works have a soul."
"I can feel the energy!"
"The texture is amazing ... they are so tactile!"
My work reflects a world that exists deep in cognitive awareness. As I look at nature, I see the organic interaction of color, shape and form. The momentary effects of light, air and water movement are considered when I develop my compositions. I begin without a preconceived notion of color or design, and allow natural rhythms to take over. The strokes and hues become defined as deconstruction turns into form. Contemplation gives birth to concrete images and unification of chaos is the matter of course.
Life Underlying
oil on canvas in four panels, 192” x 108” No Longer Available
Out of the African Iris Bird of Paradise - 16" x 23 1/2". framed 29 1/2" x 36 1/2" - Watercolor Pencils on Arches 140-lb. Watercolor Paper
Sticks, no Stones - graphite on paper - 12" x 9" Unavailable
Bismarck II - graphite on paper - 22" x 30"
Chartres et Tournesols (Chartres and Sunflowers), Chartres, France - oil on canvas - 8" x 10" Unavailable
Angela - oil on canvas - 36" x 60"
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